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1 ψάλλω
ψάλλω fut. ψαλῶ (Aeschyl.+; ins, LXX; TestAbr A 20 p. 103, 26f [Stone p. 54]; TestJob 14:2, 4; Jos., Ant. 11, 67; 12, 349; Just.; Mel., P. 80, 588; Did.) in our lit., in accordance w. OT usage, to sing songs of praise, with or without instrumental accompaniment, sing, sing praise w. dat. of the one for whom the praise is intended τῷ ὀνόματί σου ψαλῶ Ro 15:9 (Ps 17:50). ψαλλῶ σοι B 6:16 (Ps 107:4). τῷ κυρίῳ Eph 5:19: in this pass. a second dat. is added τῇ καρδίᾳ ὑμῶν in or with your hearts; here ψ. is found with ᾂδω (as Ps 26:6; 32:3; 56:8), and the question arises whether a contrast betw. the two words is intended. The original mng. of ψ. was ‘pluck’, ‘play’ (a stringed instrument); this persisted at least to the time of Lucian (cp. Par. 17). In the LXX ψ. freq. means ‘sing’, whether to the accompaniment of an instrument (Ps 32:2, 97:5 al.) or not, as is usually the case (Ps 7:18; 9:12; 107:4 al.). This focus on singing continued until ψ. in Mod. Gk. means ‘sing’ exclusively; cp. ψάλτης=singer, chanter, w. no ref. to instrumental accompaniment. Although the NT does not voice opposition to instrumental music, in view of Christian resistance to mystery cults, as well as Pharisaic aversion to musical instruments in worship (s. EWerner, art. ‘Music’, IDB 3, 466–69), it is likely that some such sense as make melody is best understood in this Eph pass. Those who favor ‘play’ (e.g. L-S-JM; ASouter, Pocket Lexicon, 1920; JMoffatt, transl. 1913) may be relying too much on the earliest mng. of ψάλλω. ψ. τῷ πνεύματι and in contrast to that ψ. τῷ νοί̈ sing praise in spiritual ecstasy and in full possession of one’s mental faculties 1 Cor 14:15. Abs. sing praise Js 5:13. WSmith, Musical Aspects of the NT, ’62; HSeidel, TRE XXIII 441–46.—DELG. M-M. EDNT. TW. Sv.
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